Destroying the Ordinary for the Extraordinary

Main Article Content

Dov Ganchrow

Abstract

Product designers are trained to extend control over the objects they design: control of form, of their use-scenario, their production and hopefully their ecological demise as well. In a market-driven world, designers are often called upon to design extraordinary objects, objects that will stand out against competition, that will draw attention to themselves and their owners and carve out a spot for themselves on a store shelf or in contemporary culture. There are many ways to go about designing the extraordinary: upgrading materials, creating surprising new forms, inventiveness in usability, and so on. At the very extreme edge of tactics that can be employed here, counterintuitively, is that of destroying something in order to give it value.

Downloads

Download data is not yet available.

Article Details

How to Cite
Ganchrow, D. (2023). Destroying the Ordinary for the Extraordinary. Además De. Revista on Line De Artes Decorativas Y diseño, (9), 245-261. https://doi.org/10.46255/add.2023.9.135
Section
Artículos

References

DRUCKER, P., The Potlatch. In Tribal and Peasant Economies, The American Museum of Natural History, Garden City, New York, 1967.

DUNNE, A., RABY, F., Speculative Everything: Design, Fiction, and Social Dreaming, MIT Press, USA, 2013.

FLORIDA KEYS & KEY WEST, Monro County Tourist Development Council, 2020 [https://fla-keys.com/diving/vandenberg/. Accessed 27 Nov 2022].

FORD, H., CROWTHER, S., My Life and Work, Doubleday, Garden City Publishing Company, Inc., Ch. IV, 1922.

FURNISS, L., Beyond Discipline: Design Practice and Design Education in the 21st Century, Strategic Creativity Research Lab, UK, 2015.

MOMA Learning, New York (2020). https://www.moma.org/learn/moma_learning/themes/dada/marcel-duchamp-and-the-readymade/. Accessed 27 Nov 2022.

RIETVELD E., RIETVELD R., “Hardcore Heritage: Imagination for Preservation”, Frontiers in Psychology, no. 8, 2017, pp. 1-3.

STERNHELL, Z., “Ron Arad: In Reverse”, West 86th: A Journal of Decorative Arts, Design History, and Material Culture, 22:1, 2015, pp. 119-123.

SUDJIC, D., Ron Arad, London, Laurence King Publishing, 1999.